51 Articles which appeared in the University of Dayton Review between 1973 and 1997:
Bahr, Ehrhard. "Geld und Liebe in Bölls Roman Und sagte kein einziges Wort".
University of Dayton Review 12.2 (1976): 33-40.
Beck, Evelyn T. "A Feminist Critique of Böll's Ansichten eines Clowns". University of Dayton Review 12.2 (1976): 19-23.
Bernath, Arpad. "Auftritt um halb zehn? Über den Roman Ansichten eines Clowns von Heinrich Böll". University of Dayton Review 17.2 (1985): 129-143.
Brady, Martin. '"Aber warum verfilmt er dann Bröll?": Straub/Huillet's Adaptation of Böll's "Hauptstädtisches Journal"'. University of Dayton Review 24.3 (1997): 183-199. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Butler, Michael. '"Wir wollen abschwören allem Irrsinn vergangener Jahre ...": The Early Letters of Heinrich Böll'. University of Dayton Review 24.3 (1997): 7-16. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Carlson, Ingeborg L. "Heinrich Bölls Gruppenbild mit Dame als frohe Botschaft der Weltverbrüderung". University of Dayton Review 11.2 (1974): 51-64.
Conard, Robert C. "Heinrich Böll's Essays as Art Forms: An Interpretation of ‘The Moscow Bootblacks' ". University of Dayton Review 13.1 (1976): 75-80.
Conard, Robert C. "Introduction to the Poems of Heinrich Böll since 1972. University of Dayton Review 17.2 (1985): 21-33.
Conard, Robert C. "Introduction to the Poetry of Heinrich Böll". University of Dayton Review 13.1 (1976): 9-22.
Conard, Robert C. 'Symbolism and the Continuity Theory in Heinrich Böll's Novel Billard um Halbzehn'. University of Dayton Review 24.3 (1997): 65-84. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Cory, Mark E. "Some Observations on the Role of Violence in the Late Prose of Heinrich Böll". University of Dayton Review 19.2 (1988): 43-53.
Deschner, Margaretta Neovius. "Böll's ‘Lady': A New Eve". University of Dayton Review 11.2 (1974): 11-23.
Deschner, Margaretta Neovius. "Heinrich Böll's Utopian Feminism". University of Dayton Review 17.2 (1985): 119-127.
Durzak, Manfred. 'Bölls filmische Metamorphosen. Am Beispiel von Das Brot der frühen Jahre und Ansichten eines Clowns'. University of Dayton Review 24.3 (1997): 147-162. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Evans, Owen. '"Für mich ist er früh schon wichtig gewesen": How Heinrich Böll gave Günther de Bruyn a Helping Hand'. University of Dayton Review 24.3 (1997): 125-132. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Falcon, Richard. 'The Obscure Object of Redemption or "Reality" in Two Adaptations of Heinrich Böll'. University of Dayton Review 24.3 (1997): 163-172. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Finlay, Frank. '"Sprachwiderstand": Critical Language Analysis in Böll's Writings of the 1980s'. University of Dayton Review 24.3 (1997): 49-64. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Friedrichsmeyer, Erhard S. "Böll's Satires". University of Dayton Review 10.2 (1973): 5-10.
Friedrichsmeyer, Erhard S. "Böll's Short Stories since 1977. University of Dayton Review 17.2 (1985): 63-70.
Ghurye, Charlotte W. "Heinrich Böll's Fürsorgliche Belagerung: A Bloodless Novel of Terrorism". University of Dayton Review 17.2 (1985): 77-82.
Glade, Henry. "Heinrich Böll in the Soviet Union". University of Dayton Review 17.2 (1985): 71-75.
Glade, Henry. "Novel into Play: Heinrich Böll's Clown at the Mossoveit Theatre in Moscow". University of Dayton Review 10.2 (1973): 15-22.
Glade, Henry and Konstantin Bogatyrev. "The Soviet Version of Heinrich Böll's Gruppenbild mit Dame: The Translator as Censor". University of Dayton Review 12.2 (1975): 51-56.
Helmke, Henry C. "The Image of the School in Heinrich Böll's Early Works". University of Dayton Review 15.3 (1982): 55-64.
Huber, Lothar. 'Satire, Ideology, Myth: Some Notes towards an Interpretation of Heinrich Böll's Novel Fürsorgliche Belagerung'. University of Dayton Review 24.3 (1997): 107-124. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Hughes, Helen. 'Heinrich Böll's Contribution to the Film Deutschland im Herbst'. University of Dayton Review 24.3 (1997): 173-182. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Jeziorkowski, Klaus. "Das Unerklärliche: Zu Heinrich Bölls Essay ‘Die Juden von Drove' ". University of Dayton Review 17.2 (1985): 145-152.
Jeziorkowski, Klaus. "Heinrich Böll als politischer Autor". University of Dayton Review 11.2 (1974): 41-50.
Kopelew, Lew. "Why Böll is one of us!" University of Dayton Review 13.1 (1976): 3-8.
Kovács, Kálmán. "Der Engel schwieg: Heinrich Bölls Roman aus dem Nachlaß." University of Dayton Review 23.2 (1995): 15-27.
Kuhn-Osius, Eckhard K. "Continuity and Change in Heinrich Böll's Work: ‘Die Waage der Baleks' and ‘Erwünschte Reportage' ". University of Dayton Review 17.2 (1985): 45-62.
Ley, Ralph. "Compassion, Catholicism, and Communism: Reflections on Böll's Gruppenbild mit Dame". University of Dayton Review 10.2 (1973): 25-40.
Ley, Ralph. "Heinrich Böll's Other Rhineland". University of Dayton Review 13.1 (1976): 45-74.
Mews, Siegfried. "Die amerikanische Rezeption von "Die verlorene Ehre der Katharina Blum": zur Problematik des Konzepts der Pressefreiheit". University of Dayton Review 22.1 (1993): 69-76.
Nahrgang, W. Lee. "To Know Is to Understand, to Understand Is to Forgive: Negative Characters and Villains in the Works of Heinrich Böll". University of Dayton Review 22.1 (1993): 77-85.
Nahrgang, W. Lee. "Heinrich Böll's Pacifism: Its Roots and Nature". University of Dayton Review 17.2 (1985): 107-18.
Nicolai, Ralf R. "The Marionette als Interpretationsansatz zu Bölls Ansichten eines Clowns". University of Dayton Review 12.2 (1975): ?-?.
Parent, David J. "Böll's The Bread of Our Early Years: An Interpretation." University of Dayton Review 22.1 (1993) 87-95.
Parkes, Stuart. 'Böll and Terrorism'. University of Dayton Review 24.3 (1997): 95-106. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Pickar, Gertrud Bauer. "Game Playing, Re–Entry and Withdrawal: Patterns of Societal Interaction in Billard um halb zehn and Fürsorgliche Belagerung". University of Dayton Review 17.2 (1985): 83-106.
Pickar, Gertrud Bauer. "The Impact of Narrative Perspective on Character Portrayal in Three Novels of Heinrich Böll". University of Dayton Review 11.2 (1974): 25-40.
Pickar, Gertrud Bauer. "The Symbolic Use of Color in Heinrich Böll's Billard um halbzehn". University of Dayton Review 12.2 (1975): 41-50.
Rademacher, Gerhard. "Auf der Suche nach der ‘Urbs Abscondita': Zu zwei Köln–Gedichten von Heinrich Böll und Paul Celan". University of Dayton Review 17.2 (1985): 35-43.
Reid, James Henderson. 'From "Bekenntnis zur Trümmerliteratur" to Frauen vor Flußlandschaft: Art, Power and the Aesthetics of Ruins'. University of Dayton Review 24.3 (1997): 35-48. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Rollfinke, Dieter und Jacqueline Rollfinke. "Schmutz und Reinheit im Werk Heinrich Bölls". University of Dayton Review 22.1 (1993): 5-15.
Stewart, Keith. "The American Reviews of Heinrich Böll: A Note on the Problems of the Compassionate Novelist". University of Dayton Review 11.2 (1974): 5-10.
Vogel, Ruth. 'Anmerkungen zu den Manuskripten von Ansichten eines Clowns'. University of Dayton Review 24.3 (1997): 85-94. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Walker, John. '"Experiment und Entdeckung": The Relevance of Drama to Böll's
Literary Development'. University of Dayton Review 24.3 (1997): 133-146. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Whitcomb, Richard O. "Heinrich Böll and the Mirror–Image Technique". University of Dayton Review 10.2 (1973): 41-46.
White, John J. 'War, Dissidence and Protest in Böll's Early Fiction'. University of Dayton Review 24.3 (1997): 17-34. Heinrich Böll on Page and Screen: The London Symposium. Eds. Lothar Huber and Robert C. Conard. London: U. London/Institute of Germanic Studies, 1997.
Ziolkowski, Theodore. "The Author as ‘Advocatus Dei' in Heinrich Böll's Group Portrait with Lady". University of Dayton Review 12.2 (1975): 7-18.